Showing posts with label RuPaul. Show all posts
Showing posts with label RuPaul. Show all posts

Saturday, August 23, 2008

Oh the Hughmanity! Week 6: “What Mormon Dust Busters Wear on Halloween”

Sweet readers -


Tuck your junk between your legs or lower your voice an octave or two. This week is supposedly smokin’ and I was all over it like white on rice.


1. Drag queens, unlike most models, have personality. Big time. Usually demonstrated by their name. The stereotypical drag queen name is “your first pet” + “the first street you lived on.” Mine is Choya De La Roche, FYI. Try it now!


2. Finding shoes ain’t easy. As I told before in my story about my foray into drag, it’s an event. Bluefly.com isn’t probably going to have a lot of size 14s. This could be a problem.


So the challenge begins. Chris March, the Gay Voice of PR (despite the other “Gay Voices” on PR) comes out in a fierce outfit. “OH!,” the contestants exclaim, he’s dressed like a Gay Viking! No, retard, he’s making fun of Wagner Operas. Duh. Welcome to the new century. The two most prominent Drag Queens on the runway are Hedda Lettuce and Varla Jean Merman (who I’ve seen in a revue and is SO worth seeing. She was also in the musical Chicago on Broadway).


Basically this was designing for shapes that weren’t “normal” model types. It was yet another redux of a past challenge where they designed for the contestants’ mothers who weren’t the usual sizes the designers are used to working with. They needed a vision outside of their comfort zone. Their comfort zones are apparently teeny tiny little squares listed in Dullsville. THESE ARE DRAG QUEENS, PEOPLE! For fuck’s sake, pad everything you see! Work the fierce accessories!


Oh child, this week was so disjointed. Joe (who espoused the most hetero, moronic, unrelated memos about this week’s challenge) almost delivered, which on this season means he won. His costume was a tribute (oddly enough) to the Drag Queen he chose. It was showy and could be worn in a revue any time. Yes, it was supposedly based on a sailor outfit, but where were the white ribbons on the collar? Where was the purse shaped like an anchor? Where was the belt shaped like a Sperm Whale, for God’s sake? I was shocked. He mentioned he designed for his daughters and I only assume they’re the most fab girls ever. Too bad they have him for a dad. So Joe won. But I still loved me some Korto. 1 - She made a dress and not a jumpsuit (which I think is bit of a drag copout). 2 - Loved the colors. It was like Krakatoa Kamp and the tear-away skirt was genius. Every good act needs a prop and here one was built in.


Keith’s costume must be what Mormon Dust Busters wear on Halloween.



His idea that all women want to dress like a Swiffer is misguided and a little weird at best. Darling, Lemon Pledge isn’t a scent by Chanel. Stella’s dress was “Mother of the Bride” at a Scottish wedding. Snooze. Blayne has clearly just lost his mind. Star Trek-licious and not in a good way. Take it from someone who’s actually heard Varla Jean Merman sing the Star Trek theme while eating (a highlight of her act)!


Daniel FINALLY gets auf’d. Let’s face it, he was hanging by a string for many weeks now and if he couldn’t face up to this week’s Gay Challenge, what hope had he? His costume was drab and wishy-washy; it was like a hostess outfit at Outback. His interests in wanting to be classy and whatever were silly here. The answer was to take what the client wanted and to multiply times ten. This is a dress for a DRAG QUEEN, queen! How many times did that have to be reiterated? What planet are you on? The bigger the better! Fail, yuk. It was boring and safe, two things going out in Drag in Public ain’t.


RuPaul was surprisingly astute and on point in her judging. Gotta give the girl some credit, she knew what she was talking about and delivered like Domino’s. If anything, she could have been a little bitchier (as I know she can) and torn down some of the more boring designs.


Overall, I wanted more Show for this show. I wanted more glitter, more glamour, more va-va-voom. I wanted more Chris March. Instead, as usual this season, we were only given more closeted, dull gayjects. Come out of the closet, and soon, or we’ll just give you up for done and throw you on the bash heap. Boring is so ugly in a young gay.

Wednesday, August 20, 2008

Oh the Hughmanity! Preview: Look What the Catty Drag-ged In

As you may remember, possums and queens, our very own Hughman recently laid down the law to Joe Faris, rapping Joe forcefully on the knuckles with a glitter cane and making the ageless pronouncement,
"Unless you've been in drag and heels in a crowded gay bar (which I have once), you have no right to use the Q-word." And now, in anticipation of tonight's Project Dragway, Hughman is giving us details of just how well he knows whereof he speaks. Please to sample and enjoy:

Get ready, girlfriends. This week is going to be a veritable stuffed bra of goodness. I feel compelled to preface my usual recap (which will come in a few days) with this little historical disquisition.


Let me start by saying I’m no rube from the sticks about Drag. On the contrary, over the years I lived in New York City, I was sort of a Drag Groupie. I even did drag once in the late 80’s, ironic since I was a steroided Chelsea Muscle Boy at the time. You can read about it here (Ed: Oh do, possums, do; it's well worth it).


In addition, I was friends with many of the Drag Stars of the time.


1. Lady Bunny - I was a denizen of The Pyramid Club in NYC’s East Village when Lady Bunny was a go-go dancer on the bar. Once she called me over and said “HONEY, WHERE ARE YOU FROM?” “The South,” I answered honestly. “ME TOO!,” she exclaimed, “WE’RE SISTERS!” True to her word, we became occasional friends afterwards. She also was the Mistress of Ceremonies for the infamous Wigstock, which originally started in the East Village too. Almost all of these Drag Queens performed at Wigstock while hundreds of guys (and gals) stood around shirtless in the sun with wigs on. Fun!


2. RuPaul also performed at The Pyramid and at another East Village haunt called Boy Bar. Once a friend and I were watching her on her talk show and my friend remarked “Remember when we used to push her out of the way to get to the bar?”


3. Joey Arias - I first met Joey at another lounge called Bar D’oh where he’d perform on Wednesdays. I’d often go and see him and we would chat endlessly, and he even met my mother, who whispered to me, “He’s wearing make-up!” Later Joey went to Las Vegas, where he headlined the Cirque du Soleil show called “Zumanity.” He does a flawless imitation of Billie Holiday.


4. Raven-O - worked in tandem with Joey and later became the emcee at the popular NYC cabaret called The Box. He also sang (as a woman) in his natural voice.


5. Lypsinka - lip-synched and acted in several acclaimed revues. I met her when I styled a shoot she did for Italian Vogue photographed by Albert Watson. She performed her whole act on tape while Albert shot pictures and I was an enraptured audience of one in his studio.


6 Other Drag friends included Mona Foot (who also worked at Patricia Field’s old shop on Eighth Street where we’d go hang on Saturday afternoons), Hedda Lettuce and The Duchess who was Susanne Bartsch’s assistant and event doorperson. They were all royalty in their own right in the Drag Scene of the time. Joey and Mona were also both in the movie To Wong Foo, Thanks for Everything, Julie Newmar.


So you see, I know the gig.


In my opinion, there are two types of Drag Queens. Those who wish to “pass” as real women and those who were more performers, pushing the limits of their presentation towards Art and less concerned with being seen as a possible secretary in the work force. Naturally, I leant more towards the latter. They were always hilarious, glamorous and I hope to think flattered and excited that someone like me (and some of my friends) were willing to have fun with them and not be restricted by boring old stereotypes.


So let’s tuck in (ha ha - get it?) and get ready for the challenge.